the new album from kool keith on translucent orange vinyl.

the new album from kool keith, produced by psycho les of the beatnuts.

be with have raided the kpm archives to re-issue another of our favourites from the kpm 1000 series. they say: underscore moods and links—contemporary beat music idiom. we say: includes some of the most sublime, sub-ten second, tracks you’re ever likely to hear

2nd release from keith carnal on his own sec nd° imprint.

limited 30th anniversary edition on red 180 gram vinyl. remastered by original producer steve jordan.

30th anniversary edition on 180 gram black vinyl, remastered by original producer steve jordan.

welcome back in 2019 for this eletcro ep

5th and last part from the continuum series, celebrating 10 years of dynamic reflection. featuring tracks from shifted, matrixxman, keith carnal and viels.

the first release on keith carnal’s own imprint, by the man himself. it illustrates the sound he stands for: rolling grooves, heavy kicks and melodic influences.

a 1990s classic on one side and the equally popular remix on the flip side. remastered from original dat masters by shane the cutter at finyl tweek. cut at 45 rpm for the djs

sad girl delivers her first ep on mary black. nyx is the personification of the night and was born out of chaos. a shadowy figure like the mysterious sad girl herself. standing at the beginning of creation, nyx mothered aether (brightness), hypnos (sleep) and oizys (pain), being the titles of the three original tracks. keith carnal did a fantastic remix of oizys on the flip and completes this dreamy yet forceful trip from the darkness into the light and back into black

dread recordings have remained on the forefront since they began releasing music in the early 90s. since then, both drum & bass and the imprint have moved from strength to strength, with dread staying true to the sound which remains a pinnacle of the genre’s roots. and alongside head honcho, ray keith, the british legend that played a pivotal part in the early jungle scene, their a&r skill has remained the same since their first signing. their subsequent lp ‘ray keith presents: margaman’ is a testament to this, rolling out a definitive part of the dread recording’s roster to bring this 2 track 12- sampler to the thirteen track album which once again puts their commitment to drum & bass on a podium.

the second release on feelings worldwide comes courtesy of mysterious dj / producer keith lorraine. the cloaked producer invites us into his acid tinged mind for two pieces of club ready power.
live saxophone provided courtesy of caspar sutton-jones kicks off the a side taking us on a boogie expedition channeling the early 90s french filter house boom. the contrasting b side builds soothingly to that e-come up moment with some fat 2nd-gen detroit bass vibes to pull us out again.
two jovonn remixes finish the record as the legendary nyc producer dishes out two takes on the a side, revival. the a2 provides us a dance floor thumper stacked with jovonn’s signature deepness and 2-step shuffles whilst the b2 treats us with the perfect tool to build up to another drop frenzy in the dance.

for its first release, rapid eye movement gives voice to vii circle who sign with “archetype” an inaugural powerful and exquisitely crafted ep for the imprint. the ep, to be issued in october 2017 in both vinyl and digital versions, features three original tracks as well as remixes composed by no less than dutch techno wizard keith carnal and belgian arising talent farrago.

opuswerk presents himself with a phenomenal debut on the label, these 3 cuts shows the world how the music has the same impact as a building into our lifes. form follows function.

detroit s keith tucker is a man of many names, the man behind aux-88, alien fm, dj k-1, optic nerve and more. if you have even a vague interest in the motor city s electronic output of the last 20+ years his name will be instantly recognisable as someone who turns out the highest calibre electro and techno jams, the type of records that look towards the future for inspiration, existing in the subterranea and sharing the same artistic vision of artists like juan atkins drexciya, erik travis, shake, dj stingray and many more. originally released on scottish imprint seventh sign recordings in 2005 detroit saved my soul is a modern classic. it features all the hallmarks of classic 313 techno and electro which is to be expected with tucker behind the boards. first cut it s a mood (detroit saved my soul) is minimalism done right - stripped back drums with minor synth stabs punctuating flurries of vocoders and kt s voice describing the d as he sees it to us via the medium of music. killer stuff. elektronik is up next, almost classically a-u-x sounding, pure electro beats for the heads. fast paced machine funk from 50 years time beamed back to 2017 to tell us what s really up. oh, watch that bassline, you could get into trouble. finishing the ep we are treated to my mental state , a slower paced, psychedelic electro cut with killer drums and rim-shots featuring, again, kt s vox weaving in and out of the mix asking where are you, what are you doing? . absolutely essential tracks from a modern day techno legend. essential stuff. detroit saved my soul has been legitimately re-released with the full involvement of keith tucker / seventh sign recordings for 2017 and remastered by london s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

for over two decades, dread recordings have time and time again maintained their seminal output with every release. managing to present a crossover of old school and more modern day techniques, they’ve given fresh life to the jungle riddims which made drum & bass so prominent during its inception. and for this subsequent release, label head honcho ray keith steps up to the plate, bringing with his a deliciously rolling selection of bass heavy proportions. with a massive back catalogue and an even more impressive roster, the figurehead’s addition goes on to expand the credibility heralded by both the artists and imprint. dread recordings continue to impress, with a history documented through their stellar releases.

keith & tex are jamaican rocksteady icons, with classics for life, such as ‘tonight’, ‘this is my song’, ‘run to the rocks’, ‘goodbye baby’ and, of course, the song ‘stop that train’, worldwide famous tune that was featured in jimmy cliff’s ‘the harder they come’ original film sound track.
the vinyl lp includes a cd-copy of the album.

illusion recordings are back after a years break from releasing music for their 10th and most ambitious release. they took a break to step back and build a strong platform for the future and build a crew of high calibre artists who represent and showcase their musical identity which they have built over their first 9 releases and two sub labels.

kool keith is an american rapper from the bronx known for his surreal, abstract and often profane or incomprehensible lyrics. black elvis/lost in space is the fourth studio album by mc kool keith, but recorded under the alias of black elvis. this is the first album performed under this alias.
pressing on audiophile 180 gram vinyl.

keith carnal is back with the 2nd release of our catalog, the 1st made a massive impact in the techno/electronic playground. played in every different platform this artist showed us how electronic music can reach many different levels and people. keeping a simple and unique style that many try to imitate, but nobody reach his level. 3 cuts w/ our man shlomo did the rest of the job, doing a very deep and intelligent remix.

born from the mind of ilario alicante, virgo is a platform for idm techno transmissions. the first release is from the mysterious slv. two techno stompers with a melancholic touch. including 2 remixes from keith carnal and border one.

marco bailey returns to his miraculous imprint, mbr limited, and as always he delivers the goodies. this time he comes with plutonium ep featuring two outstanding originals and a remix on ep s title track, by one of the most apocalyptic producers of our era, the fantastic mr. keith carnal. a forward-thinking explosive package which will shake every dancefloor it will make its commanding appearance on.

every song done by keith & tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. on a-side features a mid-tempo rocksteady and the flip side is their cover version of temptations’ 1968 hit.

expanded re mastered edition of farley s classic no vocals necessary ep from 1988. 2x12inch ranging from distorted acid to funked up disco filtered excursions. essential!

the unreleased album from 1984 sees the day of light! the final album for keith hudson aka the dark prince of reggae was recorded at tuff gong studio and backed by the wailers! six extended masterpieces of rasta communications. a must have album for the keith hudson fanbase, for roots reggae & the wailers collectors in general, and all the dubheads outernationally!

das pendant zu dem unveröffentlichten keith hudson album *tuff gong encounter* von 1984! mit musikern von bob marleys backing band the wailers, u.a. carlton barrett (drums), aston family man barrett (bass), junior marvin (gitarre) und earl wire lindo (keyboards), in den tuff gong studios eingespielt, sowie mit prince jammy als verantwortlichen für den mix, hatte der legendäre produzent, sänger und dub pionier monate vor seinem überraschenden tod am 14.11.1984 ein sehr starkes team zusammengestellt. alle aufnahmen wurden von kevin metcalfe gemastert.

• special collectors edition on red & black marbled vinyl
• strictly limited to 200 copies… no repress!
• including remixes by developer (polegroup, modularz) & keith carnal (affin).

repress - erstmalig auf vinyl erscheint die offizielle dubversion zum kultalbum -rasta communication-. die 10 tracks des 1978er originalalbums wurden in jamaika in randy s sowie im channel one studio und in london (chalk fram studio) mit sly & robbie und musikern des soul syndicate aufgenommen. am mischpult saßen dabei clive chin, lloyd mckenzie und sid bucknor, der finale mix wurde von prince jammy in king tubbys studio ausgeführt. die arbeiten des sängers und produzenten keith hudson, auch bekannt als the dark prince of reggae (geboren 1946 in kingston, jamaika - r.i.p. 14.11. 1984 in new york), hatten einen großen einfluss auf die entwicklung des dub.

for those turned on by the far-sighted, sci-fi inspired sounds of detroit deep house and techno, this ep from michael zucker s finale underground imprint (an offshoot of his finale sessions label) should be an essential purchase. with the likes of patrice scott, keith worthy and luke hess involved, you d expect the quality threshold to be high. it is, of course, resulting in a quartet of killer tracks. hess hypnotic techno jam -tolox- is a definite highlight, though it pales in comparison to the analogue futurism of keith worthy s brilliant -cyclops-. best of all, though, is scott s -journey into the unknown-, which bobs, weaves, bubbles and spits to the rush-inducing deep house sound of undulating synthesizer melodies and classic, transmat-style motor city rhythm

endlich als lp-vinyl wiederveröffentlicht! im original 1978 auf dem label joint international als us-pressung veröffentlicht, wurden die bänder nach london zum legendären mastering experten kevin metcalfe geschickt, der eine komplett neue Überspielung für greensleeves anfertigte. das album wurde in randys, channel one und den chalk farm studios aufgenommen und bei king tubbys mit dem finalen mix ausgestattet, am mischpult dabei clive chin, lancelot maxie mckenzie, sid bucknor und prince jammy.

limited double vinyl, including the full album cd (dreadcdlp029).

limited 2014 repress !!
moments in rhythm vol 3. was inspired by an in-depth conversation that questioned the level of importance that todays society does or does not value its critical art forms, most specifically music … the universal language, as a means of free expression. from this passionate discussion spawned the composition of an opened ended letter, written in 4/4 format that captures and shares the passion of this conversation, and ultimately asks some questions such as … is it in you?

label boss jose cabrera aka j.c. comes up with his first ep on ahd after having released in labels such as soul people music. expect rawness, deep pads and analog synths and arpeggios. keith worthy, aesthetic audios label boss is on the remix duties delivering a very unique and original version.

the 10th installment from detroit imprint. 4 diverse artists highlight the release with electronics for all. stellar motown techno

over the course of a year, keith fullerton whitman performed a piece of live electronic music a few dozen times entitled >generator<. the debut was given in san francisco at root stratas on land festival at cafe du nord on september 19th, 2009 … over the months that followed stagings took place in venues ranging from flooded basements to festival stages in baltimore, boston, brooklyn, chicago, easthampton, iowa city, jamaica plain, northampton, raleigh, saint louis, san francisco, somerville, & washington d.c.
this lp covers the final two performances of the piece over two consecutive evenings , the opening solo set from the final night of high zero festival in baltimore at the theater project, september 26th, 2010, then the performance during the for eliane night of the propensity of sound festival dedicated to eliane radigues work at issue project room, brooklyn, september 27th, 2010. these recordings show the piece in two different iterations, taking two different trajectories entirely. they are considered as the definitive versions of the piece.

onster - this track is being played by the dread djs big bass line an anthem chords, i see the future - minimal roller with a haunting string hevey low bass tine, galaixian warrior - is for the dread fans this will destroy any dancefloor wordwide, tronik - supported by toddla t on radio 1 this choon is another anthem from the dread camp

nice price deal !!! streng limitierte veröffentlichung der legendären 12inch maxi-single (gred8) von 1978 als ep mit zwei weiteren versionen des rasta anthem bloody eyes ! - weltweit limitiert auf 750 kopien. diese ep erscheint in koordination mit der veröffentlichung der 2cd deluxe edition rasta communication (gre2097).

heavy weight d&b smasher on the dance floor from ray keith.

nice price deal !!! two heavy weight tunes, smashers on the dance floor from ray keith.

ray keiths ufo imprint returns to bring you a killer slice of dubbed out terror. dubdread – warped offers up a 140 breaks influenced slammer, meantime flip to the b-side for the ray keith remix showcasing his trademark breaks and production skills reminiscent of the dark soldier days all brought nicely down to the 140 bpm area. huge 12 inch!

beretta grey returns with another stellar release, keith kemps 2045 ep! keith kemp turns the clock to the afterhours, with two sizzling and intelligent minimal dance floor inventions. big lee curtiss remix!

waxs juan hoerni taking us on a trip with this lush ode to africa. >afrique< is turning heads in the deep/soulful community, earning plenty of plays and support from overseas as well. might have to do with spinnas typically sublime musical remix. great stuff from the up-and-coming la imprint chacha.

for the latest maya platter, cultural vibe and keith thompson revive the house classic >ma foombey< - a slamming slab of funked-up african-styled house, featuring adope ethnic/chant vocal and some tight tribal drumwork. romain mix features the vocal in full form over a heavy percussive beat, blakkats is a more stripped-down techier dub that packs a nasty punch.